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5 days - Independent Tour - St Petersburg in depth and in style.
Founded in 1703 by Peter the Great, St Petersburg combines its fascinating Russian heritage with a distinctly European outlook. Considered the cultural heart of modern day Russia, St Petersburg is rapidly regaining its reputation as one of the great cities of Europe.
This independent itinerary allows you to enjoy the splendour of St Petersburg in style and in depth. You can choose your class of hotel and enjoy the freedom to tailor make your special highlights. How better to do this great city than to travel around in your own private Mercedes with your own guide.
- Be sure to discover the newly opened General Staff Building with an incredible collection of 19th & 20th Century European Art.
- Day 1
- Arrive St Petersburg
- Day 2
- City tour - Peter & Pauls Fortress & St. Isaac's Cathedral
- Day 3
- Comprehensive tour of the Hermitage Museum & The Church of the Saviour of Spilled Blood
- Day 4
- Pushkin & Pavlovsk: Catherine’s & Paul’s Palaces
- Day 5
- Departure Day from St. Petersburg
- Start/End Place
- St Petersburg, Russian tours
- Country Visited
- Russian tours
- 5 Days
- Travel Style
Please note that all our itineraries, inclusions, dates and prices displayed on this website may change at any time. If you book an itinerary today and have this confirmed it will be the itinerary that is delivered to you. However, the online itinerary on our website may change in the meantime.
Transport by car with driver, boat trip in the canals and hydrofoil to Peterhof.
- Program includes 4 night's accommodation & breakfast daily with all taxes & services included
- Services of experienced licensed English speaking guide
- Transport by car
- Entrance fees and meals as per the itinerary
- Letter of introduction for Russian Visa
- Arrival and departure transfers from/to airport/train station. Please note that this transfer is with a driver only. We can upgrade this and provide an English speaking guide if you wish.
- Beverages & extras
- Visa to Russia
- All services not mentioned in the program
- Tips and Gratuities
Day 1 - Arrive St Petersburg
Day 2 - City tour - Peter & Pauls Fortress & St. Isaac's Cathedral
Breakfast is at the hotel and then you will be met by your private guide.
Enjoy the beauty of the city with a Panoramic city tour by private car (3 - 4 hrs). There is one museum in the city that is never closed - the city itself. Discover St Petersburg - a city of infinite charm with its majestic palaces, churches and cathedrals, river embankments, beautiful parks and numerous bridges, a city of imperial proportions and romantic vistas which has been a source of inspiration for the generations of artists.
Visit Peter and Paul Fortress this morning. It is the historical nucleus of the city as well as one of the most interesting and beautiful architectural landmarks. St. Peter & Paul Cathedral with its long gilded spire is the burial place of all Russian emperors from Peter the Great to the last of the Romanovs Nicholas II. Designed to protect newly acquired lands in the mouth of the Neva River, the fortress lost its military significance before it was completed. It was turned into the most dismal political prison of Russia for almost 200 years.
You will then visit St. Isaac's Cathedral. Fourth highest cupola cathedral in the world, St. Isaac's has a breathtaking interior design. The cathedral can accommodate 13000 worshippers at a time. The monolithic columns of the portico cut from red granite are seventeen meters high and weigh 114 tons each. The mosaic inside has twelve thousand shades and colors, the walls are five meters thick and the main cupola is coated with one hundred kilos of gold.
Enjoy lunch at a local restaurant, as suggested by your local guide.
This afternoon & evening are yours to explore further if you choose not to attend a performance.
A unique event awaits you in the evening - a Russian ballet performance in the unique Mariinsky Theatre. Please let us know if you are interested in attending this performance.
Day 3 - Comprehensive tour of the Hermitage Museum & The Church of the Saviour of Spilled Blood
Enjoy breakfast at the hotel before another day of sightseeing.
This morning, we do a comprehensive guided visit to the famous Hermitage Museum, departing the hotel at 10am. The world-known Hermitage museum was the residence of the Russian Emperors in the past. Nowadays it comprises 5 palaces and is one of the largest museums in the world. Be ready for lots of walking along miles of corridors!
Your guide will suggest a spot for optional lunch, such as Demidov Restaurant or something similar, depending on your individual needs.
You will finish the Hermitage tour at approximately 2pm and then follow on with a walking tour of the Church of the Saviour of Spilled Blood. Returning to your hotel approximately 5pm.
Day 4 - Pushkin & Pavlovsk: Catherine’s & Paul’s Palaces
After breakfast we drive to the town of Pushkin to see the Catherine’s Palace and park – once the official summer residence of Russian Czars. We enter the beautiful Catherine’s park and visit Catherine’s Palace, considered to be a real pearl of Russian baroque architecture of the 18th century.
Lunch at Provorie restaurant.
We then head to Pavlovsk to see the Paul’s Palaces. Named after Paul 1, Pavlovsk was founded in 1777 when a small palace was built. This palace is often called a pearl of the classical style as many famous architects of the time took part in designing its beautiful interiors which are a synthesis of architecture, decorative painting and sculpture. A beautiful landscape park, the largest in Europe, surrounds the palace.
Dinner is on your own tonight.
Day 5 - Departure Day from St. Petersburg
Enjoy your final buffet breakfast at the hotel and then transfer by private car.
To avoid disappointment, we recommend that you book any theatre performances that you wish to attend in St. Petersburg in advance. Please let us know if you wish us to organise this.
Interactive Tour Map
Travel insurance is compulsory for all tours with 50 Degrees North. The safety of our travellers, staff and operators is a major priority of 50 Degrees North. With an operational office in Norway, 50 Degrees North has access to an up-to-the-minute flow of information regarding the countries we work in. We are also in regular contact with the various operators we use. Their in-depth knowledge and understanding of their various areas is vital.
Please note for China, Mongolia and Russia, you will need to arrange your visa before you go. We have supplied links to these visa applications within our Visa section. It is your responsibility to do this before your trip but please don't hesitate to speak to us if you need any assistance. It isn't unusual for our guests to have questions particularly about the Russian visa so please call us if you are in any doubt.
Visiting the Hermitage
The Hermitage can be very busy to visit with large crowds during summer and little control of the movement of people. We suggest that you try to visit either before the opening hours which can be arranged with us or on a Wednesday evening. The museum stays open until 9pm. Any extra time available will help you enjoy the tour. Our guides will help you navigate the entrances and the best way to see everything you can to see.
The security staff will not allow water bottles into the building but if you have a small bottle in a big pocket, you will usually be fine. There is a free cloakroom to use if needed.
The top 20 things to see in the Hermitage and where to find them:
An unusual, intense and relatively early work (1867/8) which depicts the artist’s sister and mother. The emphasis on pattern and rhythm seems to anticipate Matisse. (Room 318).
The Hermitage’s Spanish Collection includes El Greco, Velázquez and Goya, but this vibrant portrait of a 17-year-old courtier in burnished black and gold armour by a much less-well known artist is a remarkably successful study of power and character. (Room 240).
There are two early paintings by Leonardo, both madonnas, but this portrait by one of his followers which hangs in the same room is more immediately appealing - something of a page-three Mona Lisa. (Room 214).
A fascinating painting, saturated in the deep red of the wallpaper and tablecloth, which saturate the room, while through the window the landscape is clear blue, green and white. (Room 344).
Rough and unfinished, the tightly contracted muscles strain with repressed energy. Originally intended for the Medici mausoleum in Florence. (Room 230).
Just three exquisitely drawn faces and some flowing drapery have survived in this fragment of a line drawing dating to the 4th-century BC. It is the only surviving example of graphic art of the period. (Room 115).
Look carefully at this gorgeous study of an artist at work (possibly a self portrait) and you can see a vertical join running down the centre of the canvas. The right half was bought by Tsar Nicholas I in 1850, the left by Alexander III in 1884. Only later was it realised that they were the two halves of the same painting. (Room 262).
A very early work (1903) from the “blue” period, which is strongly represented in the Hermitage. Soler was a Barcelona tailor and a friend of Picasso's. This powerfully melancholic portrait is distinctly Spanish in tone, echoing El Greco and Velásquez. (Room 348).
An enormous canvas of chaos and confusion and no obvious subject until you focus on Saul laid low in the composition. (Room 237).
No one has captured the impact of old age on the human face more profoundly or effecitvely, both in his own self-portraits and in rheumy-eyed portraits such as this - just one in a gallery full of major Rembrandts. (Room 254).
This bizarre contraption dates from 1780 and is loaded with gadgetry, including a milometer and a mechanical organ. (Room 167).
This is a wonderful and unique collection of ornamental goldwork, much of it produced for the semi-nomadic Scythians by Greek goldsmiths from the 7th century BC onwards. Among the most striking pieces are a stag, a panther and a wonderful comb capped by a battle scene. (Room 44).
The highlight from a room full of some of his best work. The mostly muted colouring, the ordered, stylised composition and the stillness it evokes is unusual for such a flamboyant colourist. (Room 247).
The tilt of the head and serene gaze emanates power and wisdom. The polished marble has been preserved in immaculate condition ( Room 110).
Only a handful of paintings by the great Venetian artist survive and the serene, dream-like quality of this usually grim and bloody scene (she has just beheaded Holoferenes) is typical of his work. (Room 217).
It’s not the finest room in the Palace, but it has a fascinating history. The clock on the mantelpiece is stopped at 2.10am on the night of October 25,1917, when Kerensky’s provisional government, which had held power since the February revolution, was arrested by the Bolsheviks - it is the moment when Russia succumbed to communism. (Room 188).
One the many rooms in the Hermitage palaces that stand out for their sheer extravagance or historical importance. Mosaic floors , 23 glittering chandeliers, two tiers of fluted columns, gold leaf - this is a stunning room and is flooded by light from windows on both sides. The centre piece is an extraordinary English clock (c1760) in the form of gilded peacocks which spread their tails while a cockerel still crows the hour and a mushroom rotates. It still works, though normally only once a week - check with the excursion bureau for performance times. (Room 204).
This haul of paintings looted from post-war Germany includes 10 Renoirs, six Cézannes and works by Manet, Monet and others. They were shut away until 1993, and are in a remarkably fresh state of preservation. (Rooms 200-202).
This is the highlight of Catherine the Great’s collection of antique cameos - tiny medallions delicately carved from coloured stone. Look out too for a two-inch diameter head of Zeus. Both are circa 3rd century BC (Room 121).
The Hermitage has the best collection of English art in continental Europe (much of it acquired by Catherine the Great in 1779 when she bought many of Robert Walpole’s paintings, which used to hang in Houghton Hall, Norfolk, from his cash-strapped grandson. The swirling, uplifting quality of this portrait of an unknown woman marks it out as one of the artist's best. (Room 298)